{"id":1062,"date":"2025-03-19T11:14:46","date_gmt":"2025-03-19T10:14:46","guid":{"rendered":"https:\/\/patrimoinesinvisibles.com\/?p=1062"},"modified":"2026-02-23T10:31:26","modified_gmt":"2026-02-23T09:31:26","slug":"peinture-locale","status":"publish","type":"post","link":"https:\/\/patrimoinesinvisibles.com\/index.php\/2025\/03\/19\/peinture-locale\/","title":{"rendered":"Peinture locale"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">On qualifie \u00ab&nbsp;\u00e9cole de Wissant&nbsp;\u00bb la colonie de peintres constitu\u00e9e dans les ann\u00e9es 1880, autour d\u2019Adrien Demont et de Virginie Demont-Breton sur la c\u00f4te d\u2019Opale. Venus de Douai ou d\u2019Arras, Georges Maroniez, Henri Duhem, Marie Duhem-Sergeant, Fernand St\u00e9venart, F\u00e9lix Planquette, Valentine P\u00e8pe, Juliette de Reu se plaisent \u00e0 repr\u00e9senter la vie des gens de la c\u00f4t\u00e9, les types (p\u00eacheuses de crevettes et de moules), les paysages, les activit\u00e9s agricoles et maritimes. \u00c0 la m\u00eame p\u00e9riode, une autre colonie artistique se d\u00e9veloppe \u00e0 \u00c9taples, autour d\u2019Henri le Sidaner.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La lumi\u00e8re particuli\u00e8re, la vari\u00e9t\u00e9 des paysages, le faible co\u00fbt de la vie et des mod\u00e8les attirent plusieurs dizaines d\u2019artistes entre 1882 et 1914 sur la c\u00f4te d\u2019opale. En 1878, la ligne de chemin de fer qui relie Paris \u00e0 Boulogne et Etaples contribue \u00e0 y faire venir Eug\u00e8ne Chigot, peintre officiel du minist\u00e8re de la marine, et plusieurs autres peintres naturalistes (Ludovic-Napol\u00e9on Lepic, Francis Tattegrain, Eug\u00e8ne Trigoulet).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c0 l&#8217;initiative de Chigot et de Le Sidaner, des salons et des expositions sont organis\u00e9s \u00e0 \u00c9taples \u00e0 partir de 1887 puis au Touquet-Paris-Plage \u00e0 partir de 1896 et les ann\u00e9es suivantes. Un march\u00e9 des constitue parmi les bourgeois en vill\u00e9giature.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les mus\u00e9es de beaux-arts locaux (\u00c9taples, Le Touquet, Berck) pr\u00e9sentent plusieurs toiles de ces artistes.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le mus\u00e9e de la marine d\u2019Etaples et l&#8217;Association des amis du mus\u00e9e de la Marine d&#8217;\u00c9taples&nbsp;(AMME) ainsi que la Maison du Port (mus\u00e9e provisoire du d\u00e9partement du Pas-de-Calais) s&#8217;attachent \u00e9galement \u00e0 les faire conna\u00eetre.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le d\u00e9partement du Pas-de-Calais leur consacre un itin\u00e9raire&nbsp;: le sentier de&nbsp;peintres.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">S-A. Leterrier<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On qualifie \u00ab&nbsp;\u00e9cole de Wissant&nbsp;\u00bb la colonie de peintres constitu\u00e9e dans les ann\u00e9es 1880, autour d\u2019Adrien Demont et de Virginie Demont-Breton sur la c\u00f4te d\u2019Opale. Venus de Douai ou d\u2019Arras, Georges Maroniez, Henri Duhem, Marie Duhem-Sergeant, Fernand St\u00e9venart, F\u00e9lix Planquette, Valentine P\u00e8pe, Juliette de Reu se plaisent \u00e0 repr\u00e9senter la vie des gens de la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2223,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6,31,13],"tags":[],"class_list":["post-1062","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-patrimoines","category-representer","category-communautes"],"acf":[],"_links":{"self":[{"href":"https:\/\/patrimoinesinvisibles.com\/index.php\/wp-json\/wp\/v2\/posts\/1062","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/patrimoinesinvisibles.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/patrimoinesinvisibles.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/patrimoinesinvisibles.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/patrimoinesinvisibles.com\/index.php\/wp-json\/wp\/v2\/comments?post=1062"}],"version-history":[{"count":9,"href":"https:\/\/patrimoinesinvisibles.com\/index.php\/wp-json\/wp\/v2\/posts\/1062\/revisions"}],"predecessor-version":[{"id":2164,"href":"https:\/\/patrimoinesinvisibles.com\/index.php\/wp-json\/wp\/v2\/posts\/1062\/revisions\/2164"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/patrimoinesinvisibles.com\/index.php\/wp-json\/wp\/v2\/media\/2223"}],"wp:attachment":[{"href":"https:\/\/patrimoinesinvisibles.com\/index.php\/wp-json\/wp\/v2\/media?parent=1062"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/patrimoinesinvisibles.com\/index.php\/wp-json\/wp\/v2\/categories?post=1062"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/patrimoinesinvisibles.com\/index.php\/wp-json\/wp\/v2\/tags?post=1062"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}